Even though Polly's work was extant, she personally installed her thousand-piece "fallen painting" sited behind Ole Jørgen's "ship-wreck," for which he arrived with only a CD burned with the sound of a thunderstorm.
That these works both had nautical themes is wholly coincidental, since Ole Jørgen's installation was improvised on spot, though of course, Polly's piece may have inspired him as much as Shirley Tse's "Sprawl," another installation on ones