Sue Spaid

Sue Spaid

  • Sue Spaid CV
  • Contact
    • Ecovention website
      • About
  • Curatorial Work
    • Abington Art Center and Sculpture Park, Jenkintown, PA (2007-2009)
      • Hovering Above (2008)
      • Global Suburbia: Meditations on the World of the 'Burbs (2008)
        • Global Suburbia Brochure
        • Global Suburbia Installation Shots
      • Endurance: Daring Feats of Risk, Survival and Perseverance (2009)
      • Endurance: Visualizing Time (2009)
      • Abington Art Center Revisited (2017)
    • ADN Platform, Barcelona, ES (2019-2020)
      • "Fingers Crossed" images
      • Fingers Crossed Reviews
        • "Fingers Crossed" Online Reviews
        • English Translation "art per un futur verd"
        • "Fingers Crossed" review ABC Cultural 12/28/19
        • English Translation "Contro todo Prognóstico"
    • Contemporary Arts Center, OH (1999-2002 & 2012)
      • Antoni Tàpies (2000)
      • An Active Life (2000)
        • An Active Life brochure
        • An Active Life Installation Shots
      • Sprawl (2002)
      • Ecovention: Current Art to Transform Ecologies (2002)
      • Green Acres: Artists Farming Fields, Greenhouses and Abandoned Lots (2012-2013)
        • Contemporary Arts Center, Cincinnati, OH
        • Arlington Arts Center, Arlington, VA and American University Museum, Washington, DC
    • Contemporary Museum, Baltimore, MD (2010-2012)
      • New View window series
      • Baltimore Liste
        • 2011
        • 2012
      • LOL: A Decade of Antic Art (2011)
        • LOL Brochure
        • LOL Installation Shots
    • De Domijnen Hedendaagse Kunst (2016-2018)
      • Ecovention Europe intro panels
        • English Intro Panel
        • Dutch Intro Panel
      • Ecovention Europe demonstrations
      • Ecovention Europe exhibition images
        • Activism
        • Valuing Anew
        • Biodiversity
        • Restoration/Reclamation
        • Urban Infrastructure/Environmental Justice
        • Climate Change
        • Oikos
        • Food Security
      • Ecovention Europe online press
      • Ecovention Europe Print Press
        • Anne Berk review
        • HArt Review
        • Butterfly Heritage Orchard
    • Internationales Waldkunst Zentrum (2018)
      • KunstÖkologies (2018)
      • KunstÖkologies catalog essay
      • Ecovention Europe (Portable Version) (2018)
    • In Situ Exhibitions
      • Working Out the Kinks, Kunstlerhaus Bethanien, Berlin (1997)
      • Comestible Compost, Pavilions, Los Angeles (1998)
      • Cremolata Flotage, Andrew J. Barbieri Ferry (1999)
      • Poolside, Traymore Hotel, Miami (2006)
      • Migrations Platform (2007)
      • Migrations Platform Text
    • Nan Rae Gallery Woodbury
      • What's More Real than Flesh?
      • What's More Real Than Flesh catalogue
    • Santa Monica Museum of Art, CA (1995)
      • Action Station: Exploring Open Systems (1995)
        • Action Station essay
        • Action Station Installation Shots
    • Sue Spaid Fine Art, Los Angeles, CA (1990-1995)
      • Reunited and it Feels so Good
      • Chateau Marmont Art Fair (1994)
      • Solo Exhibitions
    • Windowbox, Mechelen, BE (since 2018)
      • De Wind Deed Het (2018)
      • Climate Surprise (Jan-May 2019)
        • Vernissage (Jan)
        • Heating Up (10 Feb)
        • Sun Rays (Mar)
        • Longest Day (May)
      • Climate Surprise Brochures
        • Phase Four: Longest Day
        • Phase One: Climate Suprise
        • Phase Three: Sunrays
  • Exhibition Highlights
  • Online Lectures/Interviews
  • Published Texts
    • Dak'Art '96 (1997, Art in America)
    • ASA Presentations
      • Taking a Re-Peek at the Ecovention Movement, 'No Place Like Her,' FCC Panel, ASA 2020
      • Aesthetics of Care
    • Aesthetics
      • The World Worth Making: Implementing Care Aesthetics to Boost Wellbeing (Enrahonar 2022)
      • Enacting Gifts: Performances on Par with Art Experiences (Aesthetic Investigations 2021)
      • Value Disgust: Appreciating Stench’s Role in Attention, Deception and Retention (Rivista di Estetica) 2021)
      • Review of Bence Nanay's Aesthetics as Philosophy of Perception (2020, Aesthetic Investigations)
      • Emotion and Empirical Aesthetics (2020, Aesthetic Investigations)
      • Viewing Rooms (July 2020, AICA US Magazine)
      • Surfing the Public Square (2019, Open Philosophy)
      • To Be Performed: Recognizing Performances of Visual Art as Goodmanean “Instances” (2019, ESA)
      • What's So Authentic About Restoration (2019, Aesthetic Investigations)
      • Popular Culture and Wellbeing (2019, Journal of Somaesthetics)
      • Collaboration in 21st Century book review (2019, JAAC)
      • Danto's Nine Contents (2018, Arte y Filosofía ebook)
      • Extra Perceptual Contents (2018, ESA)
      • Bellissima (2018, Popular Inquiry)
      • Cognitive Penetrability of Perception book review (2018, JAAC)
      • Danto´s artworld: Where nine indiscernible red squares yield nine distinct contents (2016)
      • Revisiting Ventzislavov's Thesis (2016, JAAC)
      • Aesthetics is the Philosophy of our Wordless World (2015, AI)
      • Being Here (2014, Living Philosophers: Arthur Danto)
      • Isness (2006, Pacific APA & X-TRA)
      • A Political Life: Arendtian Aesthetics and Open Systems (2003, Ethics & the Environment)
      • Beauty as Duty (1999, More or Less)
      • Cyberspace Race (1999, Art Papers)
    • artUS Articles
      • Nancy Holt Wallach Art Gallery Columbia University
      • Roxanne Pérez-Méndez PAFA
      • Liza Ryan William Griffin Gallery
      • Cecilia Paredes North American Cultural Center of Lima
      • Jennifer Levonian Fleisher/Ollman Gallery
      • Age of Empire: Theory in the Aughties
      • Jonathan Horowitz MoMA/PS1
      • Diane Burko
      • U-Turn Copenhagen
      • Laurel Nakadate
      • Global Warming
      • Martin Margiela MoMu
      • Manifesta 7
      • Carnegie International 2008
      • Mark Harris
      • Jorge Pardo
      • The Land Foundation
      • Summer of Love
      • Richard Shusterman
      • Situationist International
      • Victor Grippo
      • The Experiential Paradigm
    • Catalog Essays
      • Avelino Sala (2021 Naturalezas Muertas)
      • Felix Kindermann 2020
      • Ulrika Sparre (2020, Index Stockholm)
      • Antoni Tàpies (2020, Almine Rech Brussels)
      • Antoni Tàpies (2019, Almine Rech Magazine)
      • 431 Art (2019, Urban Plants)
      • Coleen Sterrit (2018, Museum of Art and History, Lancaster CA)
      • Casey Cook (2014, Light Art + Design)
      • Caroline Lathan Stiefel (2014, Philadelphia Art Alliance)
      • Jacci Den Hartog (2012, Rosamund Felsen Gallery)
      • Following a Line (2012, Girls' Club Ft. Lauderdale)
      • Does the Top Need the Bottom? (States of Transition, 2011)
      • Presence (2006, Speed Museum)
      • Los Angeles Avant-Garde (1998, UKS Forum, Oslo)
      • Strappy Sandals and Skinny Belts (1995, VIctoria Room and 1996, Pacific Design Center Museum)
    • Dance Theory
      • Rudy Perez "Accumulation of Language" (1992)
    • Duchamp Scholarship
      • Philosophy of Curatorial Practice: Between Work and World, 2020
      • Dancing Around the Bride PMA 2012:Barbican 2013, Hart 2013
      • Dahlia Judovitz Duchamp Delayed, artUS 2012
      • Visual Inquiry into Perception (2011) (essay)
      • Visual Inquiry into Perception (2011) (pdf of ppt)
      • Marcel Duchamp, Etant Donées PMA 2009, artUS 2010
      • Out of this World, the book, Neiman Marcus 1907-2007
    • Environmental Aesthetics and Eco-Art
      • Bocage (2021 France GNAP Residency)
      • Learning to Protect life: Tracing the Lineage from Conquistadors to Extinction & BLM (2021, Breathe)
      • Bees, Art and Biodiversity (2020, The Learned Pig)
      • Tying Hydrological Justice to Climate Justice (2020, Rivista di Estetica)
      • "Farming Awareness" (2012/2020,The Learned Pig)
      • "The Aesthetic Enchantment Approach" (2020, Journal of Somaesthetics)
      • "Artisanal Soil," (2018, From Field to Palette)
      • Ecoventions as Participatory Art (2018, Art Inquiry)
      • Green Design vs. Ecoart (2018, Advancements in the Philosophy of Design)
      • Sustainable Art (2016, Wroczław University)
      • Kinship Model (2016, Philosophica)
      • The 0 km Movement: Everyday Eaters Enjoying Edible Environments (2016, Journal of Somasthetics)
      • Biodiversity: As a Bio-indicator (2015, Rivista di Estetica)
      • Essay from An Edge Effect (2014)
      • Green Up! (2009, ETC)
      • Smithson Asphalt Rundown (2007, Domus)
      • Ecoventions qua an Arendtian Account of Freedom, Action and Miracles (2003)
      • A Political Life: Arendtian Aesthetics and Open Systems (2003, Ethics & Environment)
      • Land Art, etc. (2002, Ecovention)
      • Survival Strategies (2001, New Art Examiner)
    • H Art Reviews
      • Felix Kindermann at Kunsthal Gent
      • Lee Krasner (English translation of HArt article)
      • Lee Krasner (Flemish)
      • Review Katinka Bok, Galerie Greta Meert
      • Generation Brussels: Interview with Evelyn Simons
      • The Joys and Perils of Tasting Exhibitions (Tinguely Museum)
      • Tinka Pittoors/Galerie La Forest Divonne
      • Zhang Enli/Xavier Hufkens
      • Harald Szeemann/ ICA and GRI
      • Hito Steyerl/Martha Rosler Kunstmuseum Basel
      • Revolution in Making HWS
      • Steiner/Lenzlinger MSK
      • Agnes Varda Mus Ixelles
      • Greater New York MoMAPS1
      • A.N.T.H.R.O.P.O.C.E.N.E.
      • Jim Shaw New Museum
      • Walid Raad MoMA
      • Dismaland Bristol UK
      • Jesper Just
      • Le Corbusier
      • Agnes Martin
      • Carsten Holler
      • Bjork
      • Robert Overby
      • Olafur Eliasson Vuitton Fdn
      • Turner Prize Tate Britain
      • Robert Gober MoMA
      • Francois Morellet SMAK
      • Allegory of the Cave Painting Extra City
      • Photo Practices in the Studio MoMA
      • Robert Heinecken MoMA/Wiels
      • Bill Viola Grand Palais
      • Italian Futurism Guggenheim
      • Whitney Biennial 2014
      • Franz Erhard Walther at Wiels
      • Parreno Huyghe in Paris
      • Chris Burden New Museum
      • M.K. Čiurlionus MSK Ghent
      • Rachel Harrison SMAK
      • When Attitudes Became Form Prada Fdn
      • Claes Oldenburg MoMA
      • Expo 1 MoMA PS1
  • iPad Memories
    • Space Electronic (Gruppo 9999) (1972/2017)
    • 2014 Surprises
      • Winter
    • 2013 Surprises
      • Korea
      • Winter
      • Spring
      • Summer
      • Fall
    • Best of Cincinnati
  • Bibliography
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Copyright 2017 Sue Spaid

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